Theory of the tache in nineteenth-century painting, a
Auteur :
Sjåstad, Øystein
Éditeur :
Taylor & Francis Ltd
ISBN :
9781472429445
Date de publication :
28 juin 2014
Dimensions :
23,4 x 15,6 cm
Poids :
544 g
Langue :
Anglais
Pays d'origine :
Grande Bretagne
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.